Human Design
Left Angle Cross of Obscuration
Key facts
- Cross angle
- Left Angle
Personality SunGate 62: Detail (Throat Center)
Personality EarthGate 61: Mystery (Head Center)
Design SunGate 3: Ordering (Sacral Center)
Design EarthGate 50: Values (Spleen Center)
Same namePersonality Sun in Gate 61
Same gatesJuxtaposition Cross of Thinking, Gate 61 at the Personality Sun; Juxtaposition Cross of Detail, Gate 62 at the Personality Sun
What can be checked is named with accuracy; a riddle remains alongside, unanswered. Order comes back after a change when someone asks for it, while whatever would damage the group is ruled out from the start.
A gate of Values without its harmonic gate
Gate 50, Values, does not have its harmonic gate, Gate 27, Caring, in the cross. That gate sits in the Sacral, the center that already holds Gate 3, Ordering.
If the 27 joins the chart, the Channel of Preservation links the Sacral to the Spleen Center. With no other channel, the chart’s type would be Generator, its authority Sacral: the 3 would sort with a defined gut; promises made to protect what matters would hold on the strength of work.
The Left Angle is spoken of as a transpersonal karma. The 50 and the 3 take on no other meaning from it: one judges on the spot, the other puts things in order when asked, as in any chart.
The cue sheet to the second
In the theater company, the lighting cues are kept in a notebook where every change is noted to the second. Paloma, the stage manager, filled it in over the rehearsals without ever rounding off.
The evening she had a fever of 104, a visiting stage manager ran the show with that notebook alone, without having seen a single rehearsal. None of the actors noticed the change.
Restoring order, protecting the company
Gate 62, Detail, names facts that others can check, to the point that a stranger can take over the work on the evidence. Gate 61, Mystery, keeps alongside a riddle that these facts leave intact.
The 3 puts things in order when asked, after a yes from the gut, which makes a change livable. The 50, for its part, decides in the moment when a decision threatens what holds the whole together.
Sorting everything it is handed
The yes given to one request to sort things out does not cover the next ones. After the technical room come the dressing room, then the production office: each task arrives on the momentum of the one before, without the gut having responded, and weariness sets in.
From noting every second, the 62 can lose sight of what the evening was meant to produce. A show timed to the second can still miss its effect: the notebook says nothing about that.
The judgment of the 50 does not arrive with its reasons. In a company that votes, a no without an argument risks getting lost in the debate, and the company decides without having heard what it was protecting.
The 61, at the Earth, can also come at the wrong moment: a question about what makes one audience laugh and not another fills the control booth while a lighting change is coming up.
For you, for others
For you
Respond to the request to sort things out that you are given today, not to the ones that will follow: each one is waiting for its own response from your gut.
For others
When a brother has this cross, rely on his records without expecting him to draw an opinion from them: ask him for it separately, it will not come with the figures.
Frequently asked questions about the Left Angle Cross of Obscuration
Is an exact fact enough to convince?
It provides proof, not an opinion. For a fact to support a position, an opinion is needed, which Gate 17 would bring from the Ajna.
Is the refusal of the 50 thought through?
It comes before thinking. The 50 reacts to a situation before it can explain itself; the reasons, if they come, arrive afterward.
Does the work of the 3 show?
Hardly. It ends when everything is back in its place, and an order that works goes unnoticed.
Can a request to sort things out be turned down?
Yes. The 3 sorts on the gut’s response; a request the gut does not respond to can be declined, even when it comes from management.
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